I appreciate art that is welcoming, art that is convivial–art that starts a conversation, rather than finishing it. If I am able, it’s my goal to make work that doesn’t intrude or provoke, but instead invites and introduces.

I believe that these mushroom-forms are connected to our global dialogue about the relationship of human systems/human consciousness and global ecological systems/global consciousness; it feels like success, to me, to have made work that approaches those issues as if they are a conversation, and not a war.